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WELCOME TO POORLY WRITTEN MUSINGS

Movie reviews, lists and the occasional discussions over movies, TV, music and the odd video game.

A place where I talk about films, TV and other stuff I like. Remember, it's like, just my opinion, man.

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Review: Men (2022)

Men has had a lot of buzz swarming around it. Your snooty film friends would shout “It’s Alex Garland!”, as they spew crumbs all over you...

Review: X (2022)

Ti West’s return to the horror genre is his best work yet - creating a voyeuristic slasher that not only amplifies his strengths but...

Review: Petite Maman (2021)

In this day and age, it really is a mammoth task to be able to provide a true family film that is actually for the entire family. These...

Review: Beyond the Infinite Two Minutes (2021)

Café owner Kato (Kazunari Tosa) discovers that the computer monitor in his upstairs apartment sees two minutes into the future, while the...

Review: Bad Luck Banging or Loony Porn (2021)

Radu Jude often is a filmmaker that has no interest in masking his anger and frustrations with nuance and delicately crafted metaphors...

Review: Flee (2021)

Right now, I feel that we are in a golden age of documentary filmmaking. Not only are filmmakers consistently finding interesting new...

Review: The Power of the Dog (2021)

Delicate isn’t a word one would ever describe the Western genre. It’s a uniquely American genre that would prioritize and idolize the...

Review: House of Gucci (2021)

“Oscar-winner” this and “Oscar-nominee” that, the trailers for House of Gucci are shameless in their Oscar-baiting, with its campaign...

Review: The Humans (2021)

This year we have had a number of stage plays and musicals making their leap to the big screen. But the two that are notably significant...

Review: Passing (2021)

Rebecca Hall is an actress of considerable talent, someone who has consistently held scenes and films together with ease (this year's The...

Review: Bergman Island (2021)

Creativity ebbs and flows differently from person to person. For some people, it comes so easily. For others, like myself, it’s an...

Review: The Trip (2021)

The Trip, or the original Norwegian title of I Onde Dager (direct translation meaning “In Bad Days"), is a black comedy that follows a...

Review: Lamb (2021)

There have been loads of wonderfully strange, visceral films that have come crawling out from their dens this year. Noticeably odd flicks...

Review: Titane (2021)

Writing anything about Titane is a challenge in itself. If you go over various reviews and analyses popping up over the internet, so many...

Review: Little Girl (2021)

For many years, whether intentional or not, film and TV have painted the trans community in overwhelmingly negative ways. Whether they...

Review: The Fever (2021)

Man’s connection with nature in the modern world is constantly twisting and turning as it either brings us closer to or further away from...

Review: Yellow Cat (2021)

Let’s face it, it’s hard not to talk about Kazakhstan without bringing up the giant elephant in the room as it fumbles and breaks...

Review: The Many Saints of Newark (2021)

The Sopranos changed the way we watch and make TV. It almost singlehandedly changed the game for the medium, shaping HBO into what it is...

Review: Annette (2021)

It’s been quite the year for brothers Ron and Russell Mael of Sparks. An in-depth doccie on their discography was made by none other than...

Review: John and the Hole (2021)

John and the Hole is another odd entry into the wonderfully varied plethora of coming-of-age stories at our disposal through cinema, TV...

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